In my eyes
I see a
white cup, forefinger and
thumb reaching to
sidestep an
itching of
sand
in my eyes.
Words really matter. Blavatsky said 'the universe is never again the same for every word spoken!'. Reading and writing poems and poetry helps me concentrate on words, thoughts, feelings. My first son, Andrew, has Down's Syndrome and he allows me to see the world differently and that's a great source of inspiration - as are my sons Angus, Adam and wife Amelie...........words, poems, feelings ...........Love - of course!!!
In my eyes
I see a
white cup, forefinger and
thumb reaching to
sidestep an
itching of
sand
in my eyes.
In coach B, an old man drops his bag
on a seat. This is England; it rains outside
and he fiddles with iphone, earplugs, lifts a lid
on his laptop, Apple, opening like a split fruit.
Along, a train guard asks for ‘tickets from Sheffield’
and -ding- ‘the catering car is open’;
for this, I squirted petrol, fought my traffic,
queued to hold a watery cup of tea?
Hole-in-the-wall, plastic card, keep bags with you:
yes, and look down all the train to see
miniaturisation, conformity, Noah’s ark,
a valid ticket, all aboard, let’s start.
And grizzled, average, lit by electricity,
an old man fiddles gadgets, flexes digits, sleeps.
A carriage – boxy - like a temporary home,
traveling faster than man or woman chanced
a century ago, has luminescence
seeking to split air with its momentum;
a flying caravan that will, one day, age and
crumble, travel back to elemental earth-fire
like every field and wall and mountain rush-
ing past. Inside, newspapers rustle, work-harden
and people shout into their mobiles ‘I’m on
the train..’ often with a patronizing
edge, smug, inside a metal cylinder.
Perhaps big torpedoes feel secure
and, for a while, defy space-time and all
our hard-to-face inevitable fresh decay.
At a restaurant door we discovered four geese,
white and cocked against intruders in their darkness,
hissing, reaching necks like rubber bands, hard beaks.
Scared, we sensed they were more fierce than us;
like they knew ‘it matters brother, why not show an interest?’
Diners watched us - faltering - would we pass?
OK, I felt afraid - edging bricks towards a latch
when gander, tense, advanced and looped his bullet head
within an inch, into my crotch. I felt a sense
of a need to kick, instigate my violence
against those coal tar eyes and hissing sway.
But I held off and gander kind-of-sighed and backed away.
Now I regret that surge of heat, of fear, distrust, alarm,
when diners clapped and sussing meant so much, so much, to him.
I wish a train would come - it’s cold concrete
and a spiky morning hedge turning black to green
in winter light. Where is our bloody train?
We need to move away, transmute this muted scene!
But everything is flat in early dawn
and cold - so people hop and stamp (not in a pirouette)
because, loose or stiff, we dance like kids
who haven’t learnt their choreography yet.
Although this train is 3 then 5 then 10 minutes late
there are people, one or two,
who carry green-blue lamps behind their lids
knowing, if they look, a train will come;
Sounds vibrate from far, far human voices
and distant visions poke through foggy glasses,
or felt in a belly by personal choices
- what to quaff ?- lemonade or lies or beer,
all nascent and frothy. As time passes,
less and less I taste and smell whatever’s near.
But before I choose to swallow
distant sound, I also can prefer to speak:
creating a truth or lie that others maybe follow
as a will o’ the wisp - a single word
fluting away to bleak,
gigantic air – a feathery flight, or firebird.
In my wallet an image
walks with me – my treasure
is a photograph of sons
that winks when I open up to choose
provisions - when I use
a chocolate or fruit shop for pleasure;
to fill up my centre.
Mostly my little centre’s empty
and somehow, vacant, sad.
A place where photos (but very few)
and maybe you
could enter.